[Music] Fw: , [ardour-dev] ALL in good time

[Юрий Ильин]

И это очень здорово. Значит, "символ веры" отдельно взятых граждан - 
дескать, под Linux музыкой заниматься нельзя, скоро можно будет 
переписывать. :-)


On Wed, 11 Dec 2002 16:58:17 +0300, Alexandre Prokoudine <avp at altlinux.ru> wrote:

> что тут сказать - свободный софт работает в студиях :)
>
> Begin forwarded message:
>
> Date: Tue, 10 Dec 2002 17:53:42 -0800 (PST)
> From: R Parker <rtp405 at yahoo.com>
> To: ardour-users at lists.sourceforge.net
> Cc: ardour-dev at lists.sourceforge.net
> Subject: [ardour-dev] ALL in good time
>
>
> Hi,
>
> Just thought I'd share the fun. We were transfering an
> album from a couple of Yamaha 4416s through a Motu
> 2408 to Digital Performer running on a Mac. The Motu
> driver kept locking up and the opportunity to showcase
> Ardour arose. :)
>
> I'm certain it took less than three minutes and  we
> were streaming the tracks into Ardour. No crashes.
> Afterwards it took another three minutes to whip up a
> Resample script, 48000 -> 44100, and after returning
> from coffee the songs are ready for mastering.
>
> Bill, Dana's brother and the third partner in our
> studio, said, "That was fast. Why aren't we using
> Ardour all the time?" I said, "All in good time."
>
> Bill is an old school analog engineer/producer who
> wants as little exposure to technical computer issues
> as possible. When he saw how smoothly Ardour
> performed, he was sold. Trust me, that says alot for
> Ardour.
>
> Unfortunately, we'll be mastering the files in T-Racks
> running on a Mac later this week.  My question is,
> when is someone going to write the ultimate jackd
> mastering client?
>
> Here's the ultimate mastering chain; Ardour (multi
> mono channel mix in control room A) stereo out over
> analog speaker cables to jackd/client mastering
> machine in Studio B...seperate room, seperate speakers
> are a must. Export Ardour, ssh -X ardour, to the
> mastering machine. There's no realtime or sync issues
> between the stations because analog breaks that chain.
>
> This is the ultimate in control because I can walk
> into Studio A, modify the mix, return to studio B and
> continue mastering. No wasting time with mastering a
> printed track, returning to modify that track and all
> the redo that goes with that. Simply stream it on over
> until you've got something that you want printed.
>
> I'm not describing this very well but if it's ever
> available we'll need to distribute it with mops and
> buckets because audio engineers will drool for it.
>
> AFAIK, there isn't a real good mastering interface
> that doesn't cost way to much money and I don't think
> any of them do what I've done a poor job describing.
> Ah well, I talk to much.
>
> Thanks for making my day,
>
> Ron "I need a bib" Parker
>
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Lacklustre Mirror Band Member